Andare is a clean and minimal one page theme. It features parallax scrolling and a sortable isotope portfolio. The code is clean and commented and easy to customize to suit your needs.
Best audiobook DRM removal solution for Windows to remove DRM from iTunes and Audible audiobooks while converting DRM-ed M4B, M4A, AA, AAX audiobooks to unprotected MP3, AAC, M4A, WAV, FLAC.
An all-in-one iTunes DRM Media Converter software to help you remove DRM from iTunes videos and convert to common MP4 format with All audio tracks, subtitles and AC3 dolby 5.1 surround retained 100%.
Acoustica Mixcraft 8 is a powerful music production and multi-track recording workstation. It includes thousands of music loops and dozens of audio effects and virtual instruments. Record audio, arrange loops, remix tracks, score and edit video, and mix and master tracks to create polished, professional compositions.Take to the stage with automatically synced, non-stop audio and MIDI clip grooves using the amazingly flexible new Performance Panel, the perfect partner for live performances.
The ultimate software tool for pro-level mixing and mastering! With 6 additional virtual instruments and 28 additional effects, Mixcraft 8 Pro Studio features over $1250 worth of plug-ins - the complete package for "record-ready" productions with incredibly realistic instruments and superlative audio processing capabilities. For a list of all instruments and effects, view the comparison chart below.
VUE xStream offers professional CG artists a complete toolset for creating, rendering and exporting exceptionally rich and realistic natural environments in 3ds Max, Maya, LightWave, Cinema 4D and Softimage.
To design a text typeface „at the top with, at the bottom without” serifs was an idea which crossed my mind at the end of the sixties. I started from the fact that what one reads in the Latin alphabet is mainly the upper half of the letters, where good distinguishableness of the individual signs, and therefore, also good legibility, is aided by serifs. The first tests of the design, by which I checked up whether the basic principle could be used also for the then current technology of setting – for double-sign matrices –, were carried out in 1970. During the first half of the seventies I created first the basic design, then also the slanted Roman and the medium types. These drawings were not very successful. My greatest concern during this initial phase was the upper case A. I had to design it in such a way that the basic principle should be adhered to and the new alphabet, at the same time, should not look too complicated. The necessary prerequisite for a design of a new alphabet for double-sign matrices, i.e. to draw each letter of all the three fonts to the same width, did not agree with this typeface. What came to the greatest harm were the two styles used for emphasis: the italics even more than the medium type. That is why I fundamentally remodelled the basic design in 1980. In the course of this work I tried to forget about the previous technological limitations and to respect only the requirements then placed on typefaces intended for photosetting. As a matter of fact, this was not very difficult; this typeface was from the very beginning conceived in such a way as to have a large x-height of lower-case letters and upper serifs that could be joined without any problems in condensed setting. I gave much more thought to the proportional relations of the individual letters, the continuity of their outer and inner silhouettes, than to the requirements of their production. The greatest number of problems arose in the colour balancing of the individual signs, as it was necessary to achieve that the upper half of each letter should have a visual counterbalance in its lower, simpler half. Specifically, this meant to find the correct shape and degree of thickening of the lower parts of the letters. These had to counterbalance the upper parts of the letters emphasized by serifs, yet they should not look too romantic or decorative, for otherwise the typeface might lose its sober character. Also the shape, length and thickness of the upper serifs had to be resolved differently than in the previous design. In the seventies and at the beginning of the eighties a typeface conceived in this way, let alone one intended for setting of common texts in magazines and books, was to all intents and purposes an experiment with an uncertain end. At this time, before typographic postmodernism, it was not the custom to abandon in such typefaces the clear-cut formal categories, let alone to attempt to combine the serif and sans serif principles in a single design. I had already designed the basic, starting, alphabets of lower case and upper case letters with the intention to derive further styles from them, differing in colour and proportions. These fonts were not to serve merely for emphasis in the context of the basic design, but were to function, especially the bold versions, also as independent display alphabets. At this stage of my work it was, for a change, the upper case L that presented the greatest problem. Its lower left part had to counterbalance the symmetrical two-sided serif in the upper half of the letter.
Next generation of award-winning typeface (Excellence in Typography by TDC in 2000, Bukva-Raz! in 2002) Biblon. This 6-font family contains all styles as published by us and by ITC in 2000, plus many more in the 2006 version: new, interpolated Medium colour is a useful contribution for display purposes, numerous glyphs were newly created, old ones redrawn, more swashes of Italics added, 27 new ligatures, and 12 new OpenType Features enable real professional work. Among significant changes you can see slightly taller Small Caps, better kerning, etc... In our modern times people print ever more futile ideas and intersperse them with many blank pages. There is no need to economize on paper and to look out for optically narrowed type faces. An opposite situation is in every biblical society where the editors must cram a text containing some 2000 pages into a single volume. That is where there is a need for type faces which are economizing, legible and spiritually cultivated. The new Biblon type face, therefore, does not need to rely on a wide range of sizes; it is sufficient if it looks well from approximately five to eighteen points. Its elegance decreases commensurately with its increasing size. In poster sizes the speculative construction of the letter form is already revealed – the points of gravity of the strokes are shifted as much as possible in the horizontal directions and the crotches – the spaces between the rounded stroke and the shaft – are emphasized. In small-size letters we hardly notice that almost all horizontal serifs (if they have not disappeared entirely) have been pushed inside the letter form so that they should not hamper the adjacent letters. To quieten the lines, the accents have been miniaturized as well. The figures have uniform width and avow the lower case principle. The italics of Biblon have been stylized more daringly, with the use of long-forsaken Rococo elements. The slanted designs of the small capitals have upper case letters slightly submerged under the capital line, in order to enhance the decorative character of titles and headings. Biblon has a large x-height of lower-case letters and one can get used to its compressed proportions. Many condensed type faces leave a feeling of distress after longer reading. Here, however, this has been sophisticatedly eliminated. We have availed ourselves in this type face design also of several optical tricks dating from fairly recent period, but our main source of inspiration was the daringness of type designers of the 18th century. Underneath the contemporary-looking design of Biblon one can conjecture a Baroque play with the shifting of shadows, intentional overstatement or absolute simplification of forms. Even though Biblon probably will not be used for its purpose in the near future, it represents a very sound body type.
Duration: 30m | Video: h264, yuv420p, 1280x720 30fps | Audio: aac, 44100 Hz, 2 ch | 557 MB
Genre: eLearning | Language: English
In this class, I'll be teaching about the basic fundamentals of photography and the theory/ideas behind what makes a great-looking photograph. I'm excited to see your photos in the "projects" categories, and also assist in leaving constructive feedback for students who are passionate and want to develop their skills as photographers. There's always something to learn - from the amateur to the professional. Best of luck to your learning and growth - I look forward to our class together!
CM 1340404 - Circular Flourish Frames
Set of 6 Elegant Circular Classic Decorative Floral Ornamental Vintage Swirl Acanthus Frame.
• 1 EPS file (vector of circular frames and floral elements)
• 1 PSD files (Layered of circular frames and floral elements)
• 7 Transparent PNG files (High Res of 6 circular decorative frames)
• 7 JPG files (High Res of 6 circular decorative frames)
CM 1382068 - Axure Responsive Ecommerce Template4
This product is a responsive web Axure template for an Ecommerce website volume 4 that has three views:
• Desktop view designed to width 1200px
• Mobile screen is designed to width 320px
• Tablet portrait view of width 768px
This kit is created for designers who are wireframing and prototyping ecommerce/store project content for desktop, tablet and mobile views specifically. To view the different screens one can preview the Axure file then resize the browser window to preferred dimensions or view on a mobile phone and tablet. The file contains:
• Home page
• Product detail page
• Cart page
• Contact page
CM 1382028 - EARTH DAY Foliage Vector Set
Minimalism and little text make the posters universal and easy editable. The illustration and quotes can be applied as prints on T-shirts, cups, paper bags, tags etc. Alternatively, based on them you can prepare your own design. The bundle is great for environmental and ecological themes in general, since the quotes call for respecting nature, saving the forest, thinking about our future and living green.
What is included:
• 10 ready to print posters on white background in the standard medium poster size – 18“ x 24” (46 cm x 61 cm) in the following formats: 10 separate AI files (high resolution, RGB color mode); 10 separate very high quality JPG files, 300 ppi; 10 separate PNG files, 300 ppi, transparent background;
• 4 posters with sample text just as an example of possible composition each one in a separate AI file (high resolution, RGB color mode);
• 4 ready to print thematic cards with various nature quotes: 4 separate AI files (high resolution, RGB color mode); 4 separate very high quality JPG files, 300 ppi;
• 1 set of realistic vector leaves: in AI file (high resolution, RGB color mode).
CM 1327103 - Cageless Birds
Celebrate spring with style! Cageless Birds is a pack of more than 70 graphic elements in both .png (watercolor-textured, gold-textured and flat black) and .ai (flat black) for you to design with.
What's inside the pack?
• 14 flocks of birds ;
• 26 single birds ;
• 5 detailed feathers ;
• 27 frames, clouds and decorative doodles to enhance your designs ;
• 6 twigs, branches, wreaths and wires to put your birds on ;
Bonus: A simple photoshop (both CS and elements) tutorial on how to edit the graphic's color.
• A vector file .ai containing all the elements in a flat silhouette editable to your taste. Works great in Illustrator CS2+ ;
• 70 watercolor-textured .png (300dpi) graphic elements, each of them on an individual transparent .png ;
• 70 gold-textured .png (300dpi) graphic elements, each of them on an individual transparent .png ;
• 70 dark, flat .png (300dpi) graphic elements, each of them on an individual transparent .png.
Vitamin-R creates the optimal conditions for your brain to work at its best by structuring your work into short bursts of distraction-free, highly focused activity alternating with opportunities for renewal, reflection and intuition.
Duration: 13 hours | Video: h264, yuv420p, 1280x720 30fps | Audio: aac, 44100 Hz, 2 ch | 1.6 GB
8 Weeks of Lectures | Genre: eLearning | Language: English
This is my 8 Week CGMA Matte Painting Master Class available now as a bundle!