CM 3652 - Boke-Aji - 80 Large Bokeh Brushes

CM 3652 - Boke-Aji - 80 Large Bokeh Brushes

If you like light leaks, you'll love these bokeh brushes. Adding bokeh to your photos is an easy and simple way to make your photos better. Use it to simulate foreground bokeh, hide objects, and more. Choose from over 80 different bokeh brushes. With so many variations, you'll be able to find the perfect one for your artwork. 2500 pixels brushes and up to 80 megapixels JPEG images. These bokeh graphics can be used for projects of any size! Save time with the JPEG images. They're professionally colored for you so that you can drag and drop them into your Photoshop artwork. Set the blending mode to Screen or Linear Dodge and you're done - it's that easy!

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CM 574635 - INSTROOM Instagram Lightroom Presets

CM 574635 - INSTROOM Instagram Lightroom Presets 

Professional daily tool for photographers and photo enthusiasts. One-click to give "looks Instagram" your photos. Set contains all Instagram filters 2016. INCLUDED: 23 lrtemplate presets file, user guide.

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YWFT Moteur Font Family (aka Alloy)
YWFT Moteur Font Family (aka Alloy)

 

 

http://www.myfonts.com/fonts/ywft/ywft-moteur/

YWFT Moteur began as a technical, retro, machine-like design, with a second version later released as YWFT Maetl. YWFT Moteur carries a strong inspiration from the type work of Wim Crouwel, but branches into a new realm of a more French/German engine-like type design. YWFT Moteur works very well as a headline, especially in poster design projects. YWFT Moteur was converted to Opentype in 2010, and was previously known as Alloy. In the early 2000’s it was used heavily by the video gaming magazine ‘Playstation’ for headline and display purposes.

TTF | 6 Fonts | JPG Preview | 1 Mb RAR

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Augustus Font

 

 

https://www.youworkforthem.com/font/T0195/augustus

A modern classic. Augustus is a hefty sans serif that combines classical humanist elements and precise geometry. With racehorses and typography, lineage is everything, and Augustus is from good stock. Karl Frankowski paired the charisma of Morris Fuller Benton's Eagle Bold with the flair of Zuzana Licko's Dogma. The trained eye will detect a sprinkling of 19th century wood type in there as well. He named Augustus after Augustus Gloop, that alarming glutton of a child infamously expelled from the Chocolate Factory. Five years is a maddening amount of time to spend developing a single-weight typeface. That is how long it took one Karl Frankowski to release his first commercially available typeface and the attention to detail really paid off.  Augustus is now a complete international character set with a gang of whipped alternates. A half decade ago, however, it was 26 uppercase letters designed for a one-off poster. After hundreds of rounds of refinement, the rationalist that lives deep inside surfaced, and he developed a less flamboyant form for broader applications. It should be noted that this is no story of compromise. In the years since he began Augustus, the opentype font format took hold, which enabled him to retain the original swash characters as stylistic alternates.

OTF | 1 Font | JPG Preview | 1 Mb RAR

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Beaufort Font Family (Full Family)

 

 

http://www.myfonts.com/fonts/shinn/beaufort/

This type is almost a sans serif. It has legibility proportions, and a very large, useful family with specially adapted condensed and extended sub-families. Compared with type set by older technologies, PostScript type, imageset and printed by high-resolution offset lithography, has a remarkable clarity — at any size. While many types, old and new, benefit from this level of definition, few designs specifically exploit it. Beaufort does. Its pointed serifs introduce a sharpness of reproduction that was difficult to achieve, at any size, prior to PostScript. This means that small sizes of Beaufort will combine a high word count with good legibility, while large sizes will always display very fine detail. Optical scaling is not required. In style, Beaufort has a number of affinities. In particular, the bold romans recall a kind of “grotesque with small serifs” style popular with sign painters and package lettering artists in the early 20th century, and still going strong. In proportion, the basic Beaufort is in the vein of the classic oldstyle types that descend from Granjon, via the French Oldstyles, or Elzevirs, to Plantin and Times in the early twentieth century. Designed for optimum clarity, readibility, and word count, these types have a pronounced angle of stress in the lower case, which is quite large and fairly narrow in relation to the caps. None of the caps are exceptionally narrow, and both cases have an evenness of width that makes for a no-nonsense, orthodox appearance. The strength of the capitals distinguishes these types from those of another “optimizing” era, the 1970s and ’80s, when puny caps made for monotonous text. However, strong though they may be, Beaufort’s caps are not as obtrusive in text as those of Times or Plantin.

TTF | 52 Fonts | JPG Preview | 2 Mb RAR

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ASCA Font

 

 

https://www.youworkforthem.com/font/T0127/asca

The cousin of OCR spending summer vacation holed up with video game Apple IIe satellites of love mingling with the blackness of monospace. ASCA is screen based simplicity balancing between legibility for the human race and readability for the machines they depend on.

TTF | 1 Font | JPG Preview | 1 Mb RAR

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Aubhaus Font

 

 

https://www.youworkforthem.com/font/T0506/aubhaus

Aubhaus is a constructivist and geometric font. Great for use as a big display font on titles and short texts. It features Latin and Non Latin Characters.

OTF | 1 Font | JPG Preview | 1 Mb RAR

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Arco Font Family

 

 

http://www.myfonts.com/fonts/nmassi/arco/

Arco is a brand new fat-face with some geometrical tweaks grabbing fresh and ideal for fashion editorial headlines. Arco also combines elegant symbols to sweet contrast. Normal & Outline version.

OTF | 2 Fonts | JPG Preview | 1 Mb RAR

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Adore Font Family

 

 

http://www.myfonts.com/fonts/canadatype/adore/

In 1939 the Stephenson Blake Company bought a very popular script called Undine Ronde and began marketing under the name Amanda Ronde. Although Undine/Amanda was quite popular and can be seen in many advertisements from the 1930s and 1940s, there seems to be no surviving record stating the original foundry or designer. We thought that six and half decades of dust layers over the once-popular typeface were enough, so here and now you have its complete and expanded digital incarnation, Adore. It is quite easy to see why this typeface was popular. A round script with graceful meaty curves is rarely found and can be used in plenty of applications. Wedding paraphernalia, chapter titles, posters, poetry, book covers, religious literature... you name it, Adore can fit it. Aside from its totality being unmatched by currently available designs, Adore also possesses some of the most unique and imaginative letter shapes. The narrow loops on the B, P and R, the minuscule-like Z, the looped b and d, the descending h... all these shapes contribute to a breathtaking and adorable calligraphic work unlike any other. The original design came in a basic alphabet, but we have updated it for current digital technologies, and expanded it to include plenty of alternates and ligatures, as well as some ornaments.

TTF | 3 Fonts | JPG Preview | 1 Mb RAR

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Terzo Font

 

 

http://www.myfonts.com/fonts/wilton/terzo/

Terzo uses three lines in the main stem of the capitals resulting in an interesting display of script capitals. Flourishes are uniquely positioned and are deliberately minimalist in order to feature the three part stem capitals. Lowercase characters are also strong enough not to be dominated by the capitals. The overall result is a well balanced and refreshing script that will serve many purposes!

OTF | 1 Font | JPG Perview | 1 Mb RAR

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Bellezza Font

 

 

http://www.myfonts.com/fonts/wilton/bellezza/

Bellezza (Italian: beautiful) is an elegant calligraphic script with many ligatures to provide great solutions for Invitations, presentations, signage, posters wherever sensitivity, legibility and elegance is essential.

OTF | 1 Font | JPG Preview | 1 Mb RAR

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Ciseaux Font

 

 

http://www.myfonts.com/fonts/wilton/ciseaux/

Ciseaux was inspired and is dedicated to the art of paper cutting. Early paper cutting artists were often royalty, but it soon became a folk art practiced by commoners whose cutouts decorated their homes. By the seventeenth century it had spread throughout the world. The Japanese called it Mon-kiri, the German’s Scherenschnitte and Turkey even boasted a guild devoted to the art form. In Poland the designs were traditionally symmetrical and often used layers of colors to form pictorial collages. When Russian invaders confiscated scissors, villagers were found to cut their intricate designs with sheep shears! The art form later developed into cutting out elaborate designs of nature scenes and people, celebrating special occasions and even decorating legal documents. Ciseaux letterforms mimic paper cutting art in its shapes with a rather loose and almost joyous rhythm. The overall effect is somewhat earthy and natural yet it has an element of sophistication that cannot be ignored. Just like paper cutting, Ciseaux can be used for special occasions like invitations, brochures, identities, restaurant menus, and if you dare, some awesome looking paper graffiti.

OTF | 1 Font | JPG Preview | 1 Mb RAR

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Beurre Font

 

 

http://www.myfonts.com/fonts/wilton/beurre/

In thinking about a way to express the character of this script, it occurred to me that the splitting of the main downstrokes in the caps is almost like when knife cuts into butter. Picture a butter knife that slices into butter, slowly wedging the cut wider so that when it is pulled back, the remaining shape would resemble the main downstroke of any capital letter. The lowercase characters have an almost roundhand-like character but with a slightly more formal presence. Available in Postscript, Truetype and Opentype for both Mac and Windows, Beurre is ideal for Menu’s, Invitations and pretty much anywhere you need a reasonably strong, but friendly legible script. Enjoy!

OTF | 1 Font | JPG Preview | 1 Mb RAR

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Saycheez Font Family

 

 

http://www.myfonts.com/fonts/wilton/saycheez/

OTF | 2 Fonts | JPG Preview | 1 Mb RAR

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Diario Font

 

 

http://www.myfonts.com/fonts/wilton/diario/

I am a huge Moleskine notebook fan - This font is named Diario to celebrate everyone that uses a journal and everyone that appreciates a cool handwriting style. Diario reflects this tactile paper- ink plus designer convergence. In the meantime, be inspired and write your own journal!

OTF | 1 Font | JPG Preview | 1 Mb RAR

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Peekaboo Font

 

 

http://www.myfonts.com/fonts/wilton/peekaboo/

TTF | 1 Font | JPG Preview | 1 Mb RAR

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YWFT Clairemy Font

 

 

http://www.myfonts.com/fonts/ywft/clairemy/

The smell of ink is redolent in the air, as the resistance printers screen propaganda deep in a basement in the French Quarter. The Absinthe is flowing, and there’s static on the radio, as YWFT Clairemy makes its proud and vibrant presence known. Hand-drawn in the night air with a DC-3 propeller blade, YWFT Clairemy is 327 glyphs of pure, Bistromathic glory, and contains OpenType alternates that would make DeGaulle perm his moustache. Cue the trumpets. Designed by Blake E. Marquis & YouWorkForThem.

OTF | 1 Font | JPG Preview | 6.3 Mb RAR

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YWFT Composite Font Family

 

 

http://www.myfonts.com/fonts/ywft/composite/

YWFT Composite is a bitmap/digital style design that was originally inspired from collecting machine generated printouts during press checks. YWFT Composite has a special power of capturing a very digital, robotic like alphabet that works for both on screen and print layouts. It has been used in numerous magazines as a strong masculine header face, but can even be used for short body content on screen. YWFT Composite was designed in 1999, converted to opentype in 2010.

TTF | 4 Fonts | JPG Preview | 1.8 Mb RAR

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Cargo TRF Font Family

 

 

http://www.myfonts.com/fonts/tipografiaramis/cargo/

Cargo TRF is a revision of existing Cargo typeface dated 2001. The new version of Cargo consists of three styles—A (plain), B (punch-out holes) and C (screw heads). Cargo TRF is recommended for use in big sizes as a display typeface. It is available in OpenType format with Western CP1252 character set.

OTF | 3 Fonts | JPG Preview | 1.3 Mb RAR

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Capset Font

 

 

https://www.youworkforthem.com/font/T0443/capset

Designed by the Swedish design studio Suprb, this was a custom-made typeface for the Nordic magazine Cap & Design. The typeface was originally designed to be used as the main headline style and as a strong graphical element throughout the magazine layout. This amazing typeface has now been made available for the public to purchase via YouWorkForThem.

OTF | 1 Font | JPG Preview | 1 Mb RAR

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C13 HEX Font Family

 

 

https://www.youworkforthem.com/font/T0498/c13-hex

Extra geometric in nature and intended predominantly for display and logotype utilities, C13 HEX was built atop an isometric triangular grid.

OTF | 8 Fonts | JPG Preview | 1 Mb RAR

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