The origins of the Capline font lie in a commission for the UK-based company Peel Hunt. The original typeface has two parts that combine. Each part is set in a different colour and the two overlay and lock together to make a whole. An inline version was designed for possible use when more than one colour was not an option. Capline develops this inline version. The detail is increased from a thin inline to a thick inline across five stages. The question then arises ‘when does inline become outline?’. The change to the inline gives the lettershapes different visual weights across the family. The Heavy font has a thin inline, whereas the Thin font has a heavy inline. The Regular font is visually balanced to appear even. The only element to change across the typeface family is the inline. The outside shapes, spacing and kerning remain the same. This allows the fonts to be layered which in turn gives rise to a multitude of visual results. One technical issue was hinting. A slightly unorthodox approach was taken. In the thinner weights the stems are hinted as is usual, yet in the heavier weights the inline is hinted.
OTF | 8 Fonts | + JPG Preview
CM 320604 - 20 Awesome Matte Lightroom Presets
Get stunning urban effects with matte look. These matte filters are specifically designed for urban photography. They don't make the picture just look gray and too faint as it is known by many filters, but rather create a smooth matte effect, whereby a crisp image is retained. Pick the best filter for you between many kinds of matt filters. Choose your appropriate filter for your photo between warm or cold, dark or light filters. As a bonus, there is also a black and white matte filter. Altogether, the collection includes 20 filters. The filters were designed for Lightroom CC, CC 2014, CC 2015.
In 1948, Mergenthaler Linotype released the first weights of Trade Gothic, designed by Jackson Burke. Over the next 12 years, Burke, who was the company’s Director of Typographic Development from 1948 through 1963, continued to expand the family. Trade Gothic Next is the 2008 revision of Jackson Burke’s design. Developed over a prolonged period of time, the original Trade Gothic showed many inconsistencies. Under the direction of Linotype’s Type Director Akira Kobayashi, American type designer Tom Grace, a graduate of the MA Typeface Design in Reading, has redesigned, revised and expanded the Trade Gothic family. Many details were improved, such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. Trade Gothic Next brings more features and better quality for today’s demanding typographers. Trade Gothic Next Soft Rounded introduces a new friendliness and warmth to the family.
OTF | 9 Fonts | + JPG Preview
Traditionally, if you want to create authentic charcoal and pencil effects digitally it happens it Photoshop. The only problem is then your stuck with artwork that's hard to resize. Or worst yet, you send it to the printers and you get back fuzzy (or pixelated) work! Blech! Embarrassing and annoying! That's why we created VectorSketch. It's a deluxe package of 40 charcoal and graphite based brushes. Now you can stay in your safe place and do all your work in Illustrator. And of course, get beautiful scalable results. Here's exactly what you'll receive when you click the Buy Now Button:
• 10 compressed charcoal sticks
• 10 willow sticks
• 10 carpentar pencils
• 10 No. 2 Pencils (just like you poked yourself with in grade school and wondered if you got lead poisoning)
Headlight is an atypical sans-serif typeface. A curious mix of oval-nib garnishes and mechanized squareness gives Headlight a idiosyncratic ambience. It’s available in 5 weights and italics. Numerals come in lining proportional and old-style proportional styles.
OTF | 10 Fonts | + JPG Preview
Divulge is a modern grotesque that takes inspiration from nineteenth and very early twentieth-century sans-serif metal type. Its austere, nuanced voice feels old-fashioned but not in a jokey way. Idiosyncrasies are liberally sprinkled but not so much that the reader stops in their tracks. This handsome typeface comes in 3 weights, 2 widths and italics.
OTF | 12 Fonts | + JPG Preview
Gnuolane is a serious headline font in five weights. While it borrows from 19th Century grotesque models, it possesses a superelliptical sixties sneer. Gnuolane includes old-style numerals, ordinals, superiors, inferiors, f-ligatures and class-based kerning.
OTF | 13 Fonts | + JPG Preview
Folder is a clear, sans-serif typeface intended for children. It was commissioned by the BBC for an educational program and was designed to resemble the style of print that young students are often taught. Folder will imbue your designs with a spirit of scholarly material without overtly resembling a print tracing guide. In OpenType savvy applications, you can access more conventional looking stylistic alternates for the 9, I, J and lowercase q. Folder is available in regular, bold and italic.
OTF | 4 Fonts | + JPG Preview
Fenwick is a lineal, metal type with unusual proportions. The almost sinuous curves of the numerals revive their inherent Arabian roots and the italic’s line thickness was amended by eye so as not appear too mechanical.
OTF | 8 Fonts | + JPG Preview
Gurkner can take on two forms: First, there’s the straight form, a ruly Gurkner with all its ducks in a row—an obedient army of Caspers. Then there’s a quixotic form, a demented Gurkner that bounces around the house like a poltergeist on crack.
OTF | 2 Fonts | + JPG Preview
GGX88 is a Swiss inspired sans-serif typeface, created and tested for on-screen user interfaces. The geometry is even more minimal than the already minimalist typeface it suggests. It works exceptionally well in adaptive interfaces and displays that don't necessarily give the viewer a 1:1 pixel ratio, such as television screens, phones, kiosks, projections and smart watches. While the TrueType version comes with vertical pixel hinting, GGX88 looks great with basic pixel smoothing. GGX88 is available in seven weights plus italics.
OTF | 7 Fonts | + JPG Preview
Creamery-fresh Debusen is soft. Soft like a kitten soaked in butter. That’s what makes Debusen so friendly. It’s nothing but a friendly, buttery kitten.
OTF | 1 Font | + JPG Preview
Goldburg is based on the lettering found on Idaho historical Markers. The lettering was designed by George Bowditch, in the late 1950s based on unknown historical sources.
OTF | 1 Font | + JPG Preview